tag:blogger.com,1999:blog-2475713415991677653.post848814394689554469..comments2024-03-03T13:59:25.573-08:00Comments on If You Know What I'm Saying: update/65th birthday celebrationsUnknownnoreply@blogger.comBlogger2125tag:blogger.com,1999:blog-2475713415991677653.post-27537548899208485692010-08-13T13:42:15.685-07:002010-08-13T13:42:15.685-07:00just in case anyone *is* reading at the moment... ...just in case anyone *is* reading at the moment... there is some music on the way very soon. yes, actual music files to download! not often i post those here, but... anyway, first up will be those same short sets from the 65th birthday concert. mcclintic sphere recorded them for me and i've split them into parts - they're coming imminently. i've also got a very good 2000 vintage gtm set, acquired from another blog, which i've cleaned up a bit (edited out a lot of unnecessary gaps). that one will be along a little later in the month.<br /><br />incidentally, once i really got down to it, it wasn't very hard to put a number to that opening piece from the crispell-dresser-hemingway set... hint: willisau disc 4. details will follow when i post the rip.centrifugehttps://www.blogger.com/profile/00110896886246132385noreply@blogger.comtag:blogger.com,1999:blog-2475713415991677653.post-73492144073255182282010-08-06T15:47:41.878-07:002010-08-06T15:47:41.878-07:001. the website lists this as being comp. 361... pe...1. the website lists this as being comp. 361... perhaps it is. i am nowhere near the stage yet where i could confidently tell the difference between most of the gtm pieces! on the other hand, i am pretty sure i have got a recording of comp. 361 somewhere... some concert or other from the last few years..? (on the OTHER other hand, i was never sure about the opus numbers given on some of these audience boots anyway. where do they get their info? are they just guessing?? cos sometimes i think they are... wasn't comp. 358 supposed to be the "last" gtm piece?)<br /><br />2. during my brief correspondence with pianist alexander hawkins earlier this year, i learned that comp. 40(o) is a favourite of his, and (iirc) crispell's recorded versions of it are a large part of what got him into the piece in the first place.centrifugehttps://www.blogger.com/profile/00110896886246132385noreply@blogger.com