Sunday, December 29, 2013

LIVE UPDATE ... fire burn, and cauldron bubble/


comp. 209 is more than halfway through already, and the musical planes we have been exploring are most amazing. long, interestingly long and detailed inhabitings of refined artistic-conceptual subspaces... followed by complete change and transportation seamlessly into another such, entirely and utterly different from the next and previous. this type of essentially hybridised and multidimensional artistic experience... requires a new type of listener-reader--thinker. like it or not, i am it..., and if you'rereading this then you probably are too. (if it still says 2013 on your computer screen right now then you definitely are closer to me than the rest of humanity!  o pity us! - but in any case -

good lord it's not even new year yet, but i did embark on another little journey, before coincidentally finding myself in a situation whereby its essential for me to do what i am now; i.e. sit in the house, on the sofa, thus comforting and stabilising the injured whippet of the household (also ensuring that the uninjured one doesn't cause further inadvertent injury) - ... - and on and off, i have been (in human terms) alone in the house whilst doing this, so the yoshi's ninetets do indeed provide the backdrop. the always-underway-nor-ever-complete type of listening-exploring-inhabiting which we do in following gtm, - as opposed to "listening" to it as semi-background music (*1) - can, by definition, be switched on or off at any point, once one has entered the stream at its own natural pace (of course this term itself *pace* itself has to be considered differently "hereonafter", since it comprises many different and separable pulses or rhythms; meta-pace is not a term i can bring myself to use,  quel horreur - and i don't want to slow down enough to think of an alternative just at this second)

- and then switched back on again of course -

fuck, all three of these pieces have been wonderful to listen to, to follow as i say - very very hard still to write about! writing and imagemaking, and sequencing, over time... hmmmm, now there's an idea i could work with ;-)

- but yeah, just remember the twenty-ninth minute of the third piece (i.e. disc 3/8)  - 29 in 209, not exactly hard to remember that, which is good. we'll be coming back there, in due course... right now we are streaming...

... and just approaching the end of this piece, where i may as well finish for a bit (*2)  -

...


* see comments

(no really, see comments if you want to know what's actually going on behind the scenes in terms of philosophical self-discovery-through expression... which is what this blog is, duh. (*3)

Saturday, December 28, 2013

LIVE UPDATE the yoshi'nine-athon is underway...


sod it, whatever youse thinks at this (relatively-)advanced stage of proceedings, i am literally-figuratively revealing a whole tucked-up and -pleated little microcosmic world tunneled from within the confines and depths of my navel; subtitled the manifold explorations explored backwards along the spiral, the whole conducted in close (/distant) association and under the blessings of mr anthony braxton

[ - *** - and invoking also e.e. cummings, herman melville, alan moore and thomas pynchon (though n.n.i.t.o) ]

- i am asking you to share my (actually pretty modest) belief that my inviting the hapless reader thus into a (what is very nearly literally in this instance, since the next verb-derived noun  after the brackets ties back into the extended metaphor so flippantly and flagrantly paraded in the dizzy heights of the first sentence - ): complication seemingly (tho not actually) entirely of my own invention or devising... - you ask - ? well, the answer is simple: once you're here, regardless of how you done got there, y might surprise y'self by hangin out a lil longer than expect', and even come to dig the view.

i genuinely wouldn't offer it if i didn't sincerely believe it was worth it...  {{{guuuush}}}

- (though (of course (i've known for some time that (everyone else can see (clearly (yessss... clearly) the extent "to witch"  i've at least shown consistent pa
ce with previous years in terms of easily-measruable unfinished postage and gerenal fart-arsery)))))

;-)

uh yeah the ninetet hyperspin,  the ninetet hyperspin, it only took in one disc in the end, cos, well blow me down if it didn't seem at last about three and a half hours all on its own. by the time i actually got the pod out to check where we were, i was astonished to find us all with fifteen mins still live on the clock, in the first set of the opening night. so comp. 207 still and none other...

:))

a lot happens in there needless to say - ! hey GO LISSEN ;-) 

BUt i will check back with y'all in due course and soonmost. now, when were we all free again? does anyone at this level actually celebrate new year? (well... the hard-drinking hard-fighting celts obviously - !!)

remind me...


... to remem-berrr....

c..~ xx

 


*** numerous emendations and restorations were deemed necessary and were made today, the 29th. see the first comment

whether or not to revert to the use of british english for "draft" in the first line of said comment is currently bubbling away in my small intestine ;-)


Friday, December 27, 2013

... and a happy new year


- just time to squeeze out one last triple-triple-deep-distilled metafluid ounce ee({e}) -e - thanks, i needed that - before yet another one-a them pesky new yar thingies... which i always quite enjoy as the ultimate harmless private joke and amusement rather than as any act of self-politicking and/or promoting...

... in the meantime, i say: at the moment alexander hawkins' album of braxton rep is one possible album i (liver-mindedly(*1)) salivate over more than i would even steve lehman's - well, depending on the personnel i suppose and besides, the above is not meant disrespectfully to mr lehman at all, but rather to acknowledge the increasingly-imposing stature of mr hawkins, one of britain's few clear, strictly non-derivative composer-bandleaders alive as far as i am any judge ( [as far = some distance, if greater than most in the allotted time then at least partly thanks to some timely and knowledgable guides, i guess ;-) without them, as you can see by now, i would certainement never have done any of this (or this or this or this... whadadada...] )

- and nudge, nudge i think (and have indeed tonight slipped it into alex's cocoa, so to speak) that young ms-or-is-it-fraulein laubrock might be a good choice of co-explorer for the dense and super-populated pan-tropical jungles of anthony braxton's living-nay-thriving music/(s) - lehman btw has just been mining and refining his own coalfaces for long enough that a similar release from him in 2014 would bear a wholly different configuration of weights and stresses and angles and scents, flavours &c (*2) - i really do think that the young a.h. could knock 'em all flat with his offering if and when he chooses to do it - but in the meantime only he knows how realistic a project like that is in the coming (or indeed any other) year. lotta labels out there, few if any of 'em making any actual money as i understand it... and for that matter, only he knows if he wants to do it. i'm just sayin'... the man collects(-cted) braxton scores and charts (a.o.) and is living the great example in his own way. not for nothing does he play equal partners with the right-hand man after all.

...

and in the meantime meantime, some people really have been doing stuff which is, like, braxton rep upon another plane(t) or somethin', in the best possible way, which is to say that the leader a) knows full well that the influence is right out there for all to hear, and delivers a really convincing understanding of how to write within (what he perceives to be (some of)) braxtonian idioms or sound/mindsets, and b) has gerry hemingway on the traps, and indeed mr hemingway's old dutch master-wingman and longtime co-explorer wolter wierbos on the trombone, demonstrating (a.o.) (some of) what he has learned via george lewis and ray anderson, in particular... bassist dieter manderscheid is hitherto-unknown to me, but acquits himself marvellously well in such fast, fast company and is brave enough to invoke the spirit of mark dresser, right there in the middle of the album (*3) - and confident enough to pull it off with some aplomb. the leader himself, well - that's more than just one album doing this stuff and not the first time i've noticed the blatant braxtonian compositional flavoring - and while i'm aware the saxophonist has more to him than "mere" braxton-homage (*4*), it's still a remarkably good, powerfully cogent and successful outgrowth of a creative undertaking which (a.o.) keeps alive the braxtonian compositional spirit as tradition, and ... yeah, i've basically been enjoying listening to it (as i obviously and avowedly have to the output of mr hawkins, though on fewer occasions just recently)..!

***

yes, so happy new year everybody ***modest lo-budget fireworks***

 - and yes there is more on the way, but the promised 23c-athon will have to wait jus' a leetle bit longer... so let's round this year up now and look forward to that, at least ;-)


incidentally my latest meta-playlist consists simply of the eight (so far) ninetet gtm performances, in order (*4). i haven't got round to the actual immersion, not yet... it's on the way though...  :- )

hal c.. (x)



* see comments

 *4*see second comment!

 




Thursday, November 28, 2013

(meanwhile) this is new...


i'm halfway through a (previously-promised) post about recent treatments of comp. 23c, so in the meantime i thought i'd better just draw the (putative) reader's attention to this recent release, from the polish label which also brought us the latest mary halvorson album, ghost loop. (see, what did i say all those months ago? she has the core trio closest to her heart... or is it just a matter of road economics, this being after all a live album? yes, no, both, neither, whatever... i still don't have a firm opinion on this one, i.e. i can't yet make up my mind whether i was right all along or just talking shit. wouldn't be the first time...)

- google "braxton quartet warsaw" at time of writing, and some of the results are still related to the maestro's sideman (or rather special guest) appearance with john zorn, back in 2009 with messrs laswell and graves; it's actually quite hard to find any reference to the current album on a site which is not in polish, and who knows, that may continue to be the case (by no means all of b's albums get widespread exposure: indeed, a fair few of them are only available from the label in question, and not always for very long at that). but the concert captured on the cd is evidently a diamond curtain wall performance, and a rather unusual one. the presence in the band of thb is as much of a given as that of the leader himself - i don't recall ever coming across a dcw performance which did not feature mr bynum - but ms halvorson, almost as ubiquitous for these, is absent from this one; instead we have another of the heirs apparent, james fei, whose association with b's music and with his groups predates even bynum's, but who rarely appears in small groups with him. (there are always exceptions to this sort of rule, natch.) rounding out the quartet is erica dicker on violin; until the last year or so, i don't believe i had heard of ms dicker - she played in the expanded gtm 'tet at the bienniale di venezia last year (ahem... one of the numerous posts i started and left unfinished, over the last couple of years) and this was very possibly the first time i had come across her name, but this year's tcf releases indicate that she was playing in b's small groups, at any rate, as far back as 2007. [the relevant recordings are NBH042 -47 inclusive, all of which are falling river music performances; having been a monthly member at the time those were released, i have heard three of them - still only once each, at time of writing - and got quite excited about one of them, back in june (when i was still smoking ganja...).]

anyway, the current album is from last year of course, and judging by the audio clip available on the label's site (relinked - i've long since got into the habit of peppering my posts with embedded urls, so can't very well expect readers to go back in search of one!), it is potent and intriguing stuff - not that we would seriously expect anything less at this juncture (*1). as i say above, i don't know widely available it will end up being, but if it doesn't show up in any of the usual uk-based retailers online, i shall very probably buy it from the label sometime in the new year. the unusual choice of personnel makes this one particularly appealing to me... i shall be fascinated to see what the four of them made of the material.

(i am still pondering over this one, as mentioned briefly last time out - b. himself isn't on it, but mr dahinden was closely associated with the music for several years, played in various live groupings, issued an album under his own name on which b. played, and which also included a rendition of comp. 136 without the composer; what with one thing and another, i think it safe to assume that this year's swisstravaganza will have been a success, and i am pretty curious to hear the results. so, yes, probably another one for the old xmas list...)

***

since my long-desired big breakthrough (which i had rather dreaded might never happen), i have listened to a whole shitload of music, always trying to keep myself fresh by mixing it up, but not actually listening to a whole helluva lot of braxton, which is one reason why i still haven't finished the 23c update as mentioned at the start of this post (it is on the way, promise). what i have heard has been greatly enjoyed; i've just been keeping myself very busy, checking out all sorts of stuff i had previously allowed myself to neglect... not that i'm about to list all these here, even i would draw the line at that, but the crucial thing here is that i now seem to have arrived at the point i always to reach, whereby i can flip from the most violently extreme hardcore punk or death / black metal (etc) to the subtlest free improv or free jazz (etc) and trust my mind and ears to make the necessary adjustments pretty much immediately. basically, i'm very happy to have got here at last (so much so that other, less satisfactory aspects of my current daily life are far more easily bearable than they might be otherwise) and i'm enjoying chopping and changing, delving in and out of this and that (*2). i'm not really in any great hurry, therefore, to force myself to narrow the parameters right down - even if that entails narrowing them down to a composer whose work covers an extraordinarily broad spectrum. that said, there is definitely more writing on the way... so if you haven't already, don't give up on me just yet ;-)

* see comments

Thursday, October 31, 2013

fully reborn (again!)


- see, in the the end that previous photo just doesn't do it justice... if there is not quite the same sense of (thc-fuelled) unfettered exuberance as before - and in all probability there never will be again - still, the sheer sense of relief is extraordinarily welcome.

now, when i talked (in a comment) of "fifty hours or so" of re-immersion in the waters of braxton, i did not (of course) mean that i was listening solidly for two days. hell, even when i was stoned off my face i never went more than one night without sleep... no, i just meant that during that time, whenever i listened to music (a lot of the time, at present) it was to b's music; and it was indeed pretty intensive. anyone who was curious enough to click on all the hyperlinks will have noted the preponderance of official tcf downloads in there: to a large extent this was just a matter of convenience, these having been lumped together in one mega-playlist in my music library, but that worked out pretty well, allowing me to feed on a lot of pretty recent, fresh material and hence get very close to the source(s) of the composer's inspiration. it did lead to a lasting change, and one which has left me feeling a lot better all round: since the evening of that last post, i actually haven't got to braxton yet at all, but this is not for any reason other than the fact that i just found a particularly good online source for current albums that i can't afford to buy at the moment and would otherwise not be able to hear; all of a sudden i find myself in the aftermath of a complete u-turn, listening almost exclusively to jazz-based and/or improvised music. so, right now i am so busy listening to the likes of steve lehman, roscoe mitchell, george lewis, henry threadgill and (especially) mary halvorson that i haven't found time for any braxton... but this is just a matter of there not being enough hours in the day. (it's half-term, and that free time i was talking about before is gone, for a week... next monday, normal service shd be resumed!)

i have been really enjoying everything i've heard, and mary halvorson's albums have really got me thinking. can i back up what i said (in several places online) last year, and before: that her initial writing for quintet still sounds like trio-plus-bolted-on-horns, and that it's not till the third album that her charts for the quintet begin to sound like proper, fully-contemporary five-piece arrangements? what do i make of the latest development, the expansion into a septet? and what of the latest latest development, the release of a live album stripped back down to the faithful core trio..? it may be that i will have something concrete to say about all this fairly soon...

... meanwhile, one thing that did keep smacking me over the head during the aforementioned re-immersion is the near-omnipresence of good old comp. 23c, which i did to death at the beginning of this year, and swore i wouldn't write about again, or not for a good long while... well, apparently i don't have any choice in the matter, cos it just keeps cropping up, seemingly at every turn. thus, inevitably, i will be heading back there in my next post to try and make sense of all that. some of the treatments are very recent, and some rather less so, but how many times can life nudge me before i have to admit defeat?

***

this came out within the last month or so. looks interesting...

Friday, October 25, 2013

reborn (again) (gradually, by degrees)


now, you see, this could be what i was waiting for.

when i said "just around the corner" - i actually wasn't far off. but it's not quite that simple (when is it ever, with me?)... within minutes of posting last time, i was warming up the ipod with a choice bit of zooid, then plunging headlong into the willisau '91 transmission, studio half: regular readers - if there are any left, after i've so shamefully neglected the blog over the last few months - will doubtless remember my singling out this crucial set before, and earlier this year i had used it as the constant background to several days (or was it weeks?) of enthusiastic (re)discovery; ah, but let's not forget that i was pretty much high as a kite at the time. and as i've confessed since, my biggest problem recently is that with ganja no longer playing a part in my life (*1), i've been worried about no longer having "full access" to the music.

- so, back to where we were recently: i played the whole thing (well, the studio half like i say) and enjoyed it, and found i had no trouble penetrating it, really; indeed, i even noticed a couple of things i hadn't picked up on before. for example: the long and (to my ASD-inflected mind) rather oddly-titled comp. 23c + 32 + 105b (+30) features quite a lot of improvising around cells from the 23c superstructure (as we might term it)... i had previously allowed myself to state that this piece was always played as written, which is to say: through-composed, no room for interpretation, making it an extreme rarity in the braxton catalogue. well, so much for another easily-grasped assumption... but listen, the point is that although i enjoyed the music, there was no rapture as such. and this, of course, is what's really been missing lately, and why i haven't had anything to post on here.

... in the days and weeks that followed, i made several more efforts towards easing myself back in. now, several things have changed on the domestic front recently, and the upshot of all this is that i now find myself with an awful lot more free time on my hands: having had so precious little of it for the last year, i now have - literally - more than i know what to do with. during the day, once i've put my daughter on the school bus, i am free for anything up to seven hours at a time; and obviously there are mundane things to be done in that time, such as clearing up, folding laundry, walking dogs etc etc - but let's note that all those tasks can be done to the accompaniment of music. perfect opportunity to get back on it, yes? no..? well... not for the first few weeks, at any rate. and the week beginning 7th oct saw my daughter turn five, which means that the blog turned six at roughly the same time; i had had in mind to celebrate that by spending as much of the week as possible listening to b's music, and making a concerted effort to get back inside it, and it inside me; but for various reasons (none of them interesting or significant, even to an obsessive like me), it just never happened.

there was always plenty of music, mind you, and this state of affairs helped avert the depressive periods i've slipped into at times over the last few years; but, as i said last post, the vast majority of that music was guitar-based and none of it bore any resemblance to braxton. there a few choice items, slipped in there amidst everything else: a pinch of this to fill the room with positive vibrations, a spot of that to caress my ears; i even made sure i caught up at last with the "final" monthly tcf download (before the monthly memberships were cancelled, and i slid back into outsider status) - i had of course downloaded the file during august, but for the first time all year (probably discouraged by what had happened when july's recording had drifted past my ears without leaving a trace in the memory), i found that i had no enthusiasm for actually listening to it. well, that did change more recently and i even found that i could hear the shape of the music, without much trouble; as with the willisau discs, i enjoyed it while i was listening to it. in the case of the heidelberg loppem duo, there was even a brief moment where i found myself suddenly wondering "why don't i just listen to this sort of stuff all the time?" - but, as before... it just didn't last.

ok, but last week something slightly odd took place, and that in turn led me to a much-desired, but by-now-unexpected development within the last few days. typically (both in general, for me, and specifically recently) i have been finding it terribly hard to make good use of my new-found free time; but last friday, with no warning at all (having woken up most unwillingly, as usual, and struggled through the first part of the morning rather irritably - wanting nothing more than to get my daughter on the bus so i could traipse back home and collapse on the sofa) i found myself possessed with lots of energy, and did far more than i usually do. that in turn proved to be a bit of a weird false dawn, as within a few hours i had succumbed to a filthy cold that i'd previously been fighting off with no difficulty; and a frustrating and tiring weekend ensued; this week began with dreadful weather and the promise of plenty more to follow, and i battled to retain the sense of energetic movement which has seized me a few days before; and then, again with no warning, this wednesday saw me casually decide to start the day with another spot of room-filling, and -

- that kickstarted a process which has yet to finish. in more than forty-eight hours since, i have listened to practically nothing other than b's music, and this time, to say i've been enjoying it really would be a gross understatement. the pivotal moment seemed to occur just a few minutes into my second spin of the day - a recording which i acquired at some point over the last eighteen months, and had played a number of times with a notable lack of impact, finding it unusually hard to penetrate for some reason; but this time, like i say, with less than ten minutes on the clock i was really feeling the music, and - crucial indicator, i always take this to be - completely distracted away from what i was doing by the music itself. by the time i'd moved onto the live willisau discs, out with the dogs by this point, i was enrapt and could barely keep my excitement under control. (the version of comp. 34 on there (*2) had me thrashing around all over the place, confusing the poor dogs no end - if there had been anyone around i'm sure i would have looked like an escapee from some secure institution or other!) yes, fellow experiencers - there is no longer any doubt about it: this is what i have been waiting for.

... and here's the kicker: after all these years of only being able to immerse myself in the music when in a state of intoxication, this so-much-desired rebirth took place on my one hundredth day straight. no more, no less and i didn't even know it until i sat down and worked it out. it was only really quite recently that i discovered my petty obsessiveness over numbers is simply a typical indicator of asperger's syndrome, and says nothing personal about me at all; but what is a guy to do, when life keeps throwing such numerical coincidences his way? :)

more to come! c x

* see comments

Monday, September 30, 2013

i disappeared again. what happened?

tsk... promises, promises.

so what did happen? just the usual - ? well, yes and no... it is true that after my (all too brief) burst of energy back in june, i totally lost the momentum, in a manner which is by now entirely (tediously) predictable; but even i never dreamed it would take this long for me to get back to the blog - and in this first instance, just to explain why i haven't been active here. i first started this particular post back in july, and quickly abandoned it... other posts, with actual content in them, are as inchoate as they are numerous.

yes, and no... late last year, i had given up smoking ganja - and bemoaned the complete lack of mental and spiritual direction which bedevilled me as a result. and then, of course, i fell off the wagon rather spectacularly, fell back in love with everything, and started posting again. what's happened this summer has been similar, yet compeltely different. last year i gave up not because i really wanted to, but because i had been convinced that it was necessary; it left me feeling terrible, and although i stuck to my resolution for some time, underneath it all i had changed my mind: i still wanted to smoke, to be high. i detested being constantly "straight" and feared that it would see my life become purely dull and grey, with no interest in anything. for a while, that's exactly what it felt like.

this year, having got myself diagnosed with asperger's syndrome (for work-related reasons; let's face it, at my age i didn't really need a diagnosis), i allowed myself to get talked into taking SSRIs as well, in a minimal does prescribed not to counter depression, but as an anxiolytic, and to take the edge of my notorious mood swings. i had no intention of stopping smoking at this point, and didn't try to do so. but... over (not much) time, it just happened: by the end of june, i found i no longer had any desire to smoke, and was coping just fine without it. an unusually hot july came, and my birthday with it; old habit saw me scoring ganja for the occasion - though it turned out to be far from straightforward, and took several days of uncertainty, as if the very universe were trying to keep me from recidivism - and i spent an entire week in a pleasant green haze, not having to work, not really bothering about very much...

... but what i thought would happen, simply didn't. you see, as i've complained (or confessed) before, my journey of discovery with avant-garde music, and with anthony braxton in particular, has been very much tied up with my use of psychoactive drugs, and without them, i seem to have no ready access to the realms opened up by, within, the music. those few weeks before my birthday, i was feeling perfectly level and content, and i was listening to plenty of music; but i hadn't listened to any jazz-based or (semi-)improvised music at all, and (so i told myself) by indulging my old habits and altering my mental state, i would give myself the chance to get posting again, reclaim the momentum which had suddenly faltered.

...

- didn't happen, this time. i carried on listening to the music i had been exploring for the previous few weeks (lots of hardcore punk and grindcore, some experimental rock), thinking initially that this would merely confirm what was lacking in such musics, and send me in search of deeper and richer materials; but that just didn't quite take place. in fact - and this scared me a little - when i pushed myself to listen to july's tcf download, it passed in an hour-long blur and left no impressions behind at all. straight, stoned, whatever, i seemed to have lost the thread completely now.

- and i am yet to pick it back up. hence the total lack of engagement with this project; hence my continued silence. for weeks now i have been intending to write at least this post, and tell such occasional readers as may be left that i will be back at some point, i just don't know when; and for weeks i have been prevaricating. finally i am forcing myself to do it, ever so belatedly, and at the time (and here's where the sunshine peeps through again) when i am close to re-engaging with the music.

there are doubtless a few other reasons which underpin all this lack of braxton in my recent life, in no special order:

1. that last post posited a preponderance of duets-with-bass which i ahd just presumed was there, without really bothering to check beforehand. when i actually went through the discography to list them, i was surprised to discover a lot fewer than i thought there were, and this left me feeling a bit silly. (i still think there is something especially personal and apposite about the maestro's meetings with the contrabass - but there's no denying that they don't stand out in the discography nearly as much as i thought.) so, i will get back to that thread and finish it off at some point - even if various other posts never get completed now, having passed the stage where they can be picked up again - but it doesn't surprise me that i felt a bit sheepish about doing so, for a while back there...

2. as most if not all of you will know, tcf have discontinued the monthly membership scheme. they have replaced it with an annual subscription, which i can't curently afford (having found myself with rather less disposable income than i thought i had, at the beginning of the year); hence, for the time being at least, i am back to feeling cut off from that organisation and all it entails...

3. i have long since identified in myself a strong tendency to recoil from deep and lasting commitment. ok, so i have been married more than seventeen years and a father since 2008, and i have not turned my back on my family; but in most other aspects of my life, i still seem to be terrified of committing to anything in particular. hence, i created this monster in part to distract myself from my studies in oriental medicine, at a time when i was "supposed" to be getting myself fully qualified as a shiatsu practitioner, then branching out in my own therapeutic direction (never happened, despite my completing the actual course); and a year or two on from then, i allowed myself to be distracted away from even this blog by a renewed interest in tai chi chuan (and comics) which took up most of my attention for a good long while. the last two years have seen a complete change in my professional life, and that itself has entailed a veritable rollercoaster of excitable, hopeful highs and gloomy, miserable lows; at a time when all the forward-moving parts of me are trying to cut ties to the entrenched and anchored parts, it's (again) no surprise that i have been led away from the one thing in which i was trying to do my best.

- and, you know, let's be clear about this: i've built the braxtothon up into something i can't quite seem to live up to, because time goes by and i never seem to get back there. will i ever actually continue it, now? i still intend to; but what are my intentions worth?

still... lest this all sound terminally pessimistic... i am basically not doing too badly, and here's the major difference from this time last year: i still don't have any urge to get high. i am doing just fine without it, and as enjoyable as that week in july was, it really didn't do for me many of the things for which i had come to rely on it: in particular, i found no increase in insight or mental clarity, never mind resolve and inspiration. if it can't do that for me, what use is it? better that i try and achieve what others have had to do: build it up natually, over time, without taking shortcuts to it. and as for the music, i know that that will come, as day follows night: psychedelic it may have been, but there was never anything illusory about what i found in those realms. and, you know, my ears have always needed change from time to time and i can't keep sandpapering them with hardcore punk forever (as much as that does satsify them, to an eyebrow-raising extent). where this post, so long deferred, would previously have ended with a big ??? - in terms of when the return was likely to come - i now feel that it's probably just around the corner.

keep checking back... and you will find out if i am right :)